Rating of
3.5/4
“I must go punch that baby.”
Matthew Brady - wrote on 11/07/23
The first film of the Leeds International Film Festival 2023 (LIFF), and what a strong start!
Poor Things is a humorous, sexy, and Gothic tale that can be philosophically but in the most bizarre ways. There is something so wonderful about the weird, especially in art.
Emma Stone's performance as Bella Baxter was just glorious. It’s also a very “risky” performance because when we first meet her, she is a child in an adult body after being reanimated, with her vocabulary being on the same level as a three-year-old, and her uneven body posture/moments, as if she’s still learning how to move. There is A famous movie saying, “Never go full stupid”, but Stone finds the right balance that prevents it from being embarrassing to watch, which other actors failed at. However, that section is only at the beginning, and as the film progresses through her journey of becoming herself, we see her understanding of language and walking improve significantly.
Bella is a fantastic main character, and she’s easy to care about. We want to see her succeed, and Emma Stone was terrific.
This is the best performance I have seen from Mark Ruffalo, as every time he was on screen, the audience and I were laughing. His character is a loudmouth parody of the ladykiller, who takes Bella under his wing and has her for himself. He chewed up the scenery, and it was astounding. There is a scene in this movie where both Bella and he have a chaotic dance, but the little dance he does on his way to the dance floor, I can't stop thinking about it. It was so funny.
William Dafoe, which should come as no surprise, delivers a superb performance as the monster-looking scientist Godwin Baxter. He is often referred to as 'God' at times, with his patchwork flesh of a face having a distant cross on the right side of his face. He very much plays the role of God, as he does the impossible and gives new life to unfortunate lost souls.
I’m just saying this right now, but the Best Supporting Actor race next year might be the best if nothing ruins it. I hope not. Imagine this: Robert Downey Jr. for Oppenheimer, Ryan Gosling for Barbie, Robert De Niro for Killers of the Flower Moon, and Ruffalo & Dafoe for Poor Things.
Everything on a technical level, such as cinematography, the score, costumes, and the production design - all extraordinary and benefited in bringing this world alive. The whole movie feels otherworldly and timeless.
What I find compelling about director Yorgos Lanthimos is that if you examine his movies, the stories in his movies are simple. The Lobster is about fulfilling societal norms we feel we need to follow, such as getting a job, applying to a college and university, being with a romantic partner, having kids, having interests, and eventually dying. The Killing of a Sacred Deer is a horror revenge tale where a family gets cursed after the fathers' wrongdoings. The Favourite is a period piece drama/comedy about two reveals who try to win the love of a bipolar queen.
Poor Things is a fresh re-imaging of Mary Shelley's Frankenstein (also based on a novel by Scottish author Alasdair Gray), remodeled as a coming-of-age story told through a female perspective. The needs, the wants, the issues, and losing our inner child in this demanding world. Unique and isn't afraid to approach sexuality so openly.
At the start, the character of Bella has the mind of a child while having an adult body but is not restricted and not insecure about things. She can be loud, messy, playful, and expressive in emotions. Especially when it comes to sexuality, hence the openness to it. Like, there's nothing wrong with something that everyone does, but we don't talk about it. As we get older and more exposed to the world, we get quieter, speak less, get insecure about things, care too much about what others may say/think, and become closeted. That is one angle of the film that I found incredibly compelling.
But the execution is wild. I do not buy for one second that it’s strange for the sake of it. It leans more into steampunk absurdism. Yorgos Lanthimos presents the events as they are without questioning them, as the surface level normality peeled back, and focuses on the strange happenings in life and people. He's one of the most unique voices in cinema, not only for what he has to say but what he must show and how to show it.
The only issue I had with the film was towards the end when it started to get a bit preachy, going as far as hitting you on the head with it, and I was thinking, "Alright, I get it."
Other than that, the film was excellent and one of the most unique and memorable experiences I had this year. Even if this is Yorgos Lanthimos's most accessible film so far, it may still be too much for some, but even with its peculiar nature, you will find it impossible to take your eyes off the screen.
