Rating of
3/4
A non-traditional approach to the vampire genre
ikkegoemikke - wrote on 03/23/15
"I write of what I cannot speak, the truth. I write all I know of it, then I throw that pages to the wind, maybe the birds can read it."
A non-traditional approach to the vampire genre. A new refreshing look from a different angle. Not the stereotypical image of pale creatures of the night provided with bloodshot eyes and sharp fangs hiding in dusty basements in a coffin. No melting, burning or imploding is involved when they are exposed to sunlight. No here we have persons who are part of an alliance and inherited a centuries-old tradition.
It's the story of a mother (Gemma Arterton) and her daughter Eleanor (Ronan) who have been hiding for years because women actually aren't allowed in the alliance. And let me tell you, I'll gladly surrender myself to Gemma the female vampire so she can catch me and plant her teeth (in this case the sharp nails) in my flesh. Immediately she made ​​me think of the pulp booklets of Vampirella that used to lay in the newsstand. Same proportions and dimensions of lustful flesh.
Once again Ronan plays a convincing and brilliant part (recently I've seen her in Hanna) as the daughter with scruples and who'll sacrifice anything in order to tell her secret to a mortal instead of scribbling it down on a paper and then throw it away. Not only she looks stunning, she also has that serene look and empathy to interpret this role in a sublime way.
The images used are magnificent. Marvelous images of the coast, interspersed with flashbacks to the 1900s. Slowly the whole story unravels. The denouement of the alliance was not so obvious but the end with Darvell on the island together with Eleanor, becoming also immortal, wasn't exactly a surprise.
For me the movie was, how appropriate, drop-dead gorgeous.
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